Boost Your Chess Results!

In this long-awaited second Thinkers-book of International Master, Armin Juhasz, the reader is invited to take a seat in his classroom and follow his useful guidelines how to improve your practical play.

Vol. 2 - Exercises and Training for 1500-1800 ELO

This second-volume workbook in Davorin Kuljasevic'sHow to Study Chess on Your Ownseries is optimized for chess players with an Elo rating between 1500 and 1800 but is helpful for anyone between 1200 and 2000. The astounding success of his How to Study Chess on Your Ownmade clear that thousands of chess players want to improve their game and like to work on their training at least partially by themselves.

Grandmaster Training

Endgame Labyrinths presents the reader with 1002 challenging studies selected and truncated, with their usefulness for the practical player in mind. It is common for studies to be extended by less interesting manoeuvres or by incomprehensible sequences, before the main themes come into play. The studies in this book have been pruned to leave the reader with 1002 clear and solvable challenges.

Training for Club Players

Chess players can look ahead, formulate a clear plan, and act accordingly. That's why chess is the perfect learning environment for becoming a strategic expert. But how do you train this? It starts with playing many games and analysing them carefully afterwards.

Journeys in the Magical World of Endgame Studie

All through his career Jan Timman has been captivated by the mystery and splendour of endgame studies. Even during his most successful and busy years as a world-class player, Timman continued to compose studies and admire those of others. For him, there has never been any doubt that his journeys in this magical world helped him to grow as a player.

Four WCC Matches: 1954, 1957, 1958 and 1963

The writings of Mikhail Moiseevich Botvinnik (1911 1995) are legendary. And Botvinnik’s legacy is deeply imprinted in the DNA of every grandmaster today, says Andy Soltis in his foreword tot this book. ‘The Patriarch’ took professionalism in chess to a new level and was the first to emphasize preparation: what a player does before a game plays an enormous, if not decisive, role in what happens during a game.

Das neue Grundlagenwerk für fortgeschrittene Spieler, die sich die Methode eines Großmeisters zu eigen machen möchten. Auf seinem Weg wird der Leser nicht geschont, aber immer wohlwollend begleitet.

Aus dem Vorwort von Loek van Wely:

„Gute Schachgrundlagen sind die Basis eines gesunden und langen Schachlebens."

Ich bin FRITZ und definiere die Schachwelt seit über 30 Jahren neu. Ob in New York gegen Garry Kasparov oder in Bonn beim 4:2 Sieg gegen den damaligen Weltmeister Vladimir Kramnik: Millionen von Schachfans verfolgten meine Duelle „Mensch gegen Maschine“ und genossen meine Weltklassepartien. Und auch nach 30 Jahren bleibe ich noch in Top-Form: 2022 und 2023 habe ich die offizielle Schach-Software-Weltmeisterschaft gewonnen!

The English Opening arises after 1.c4, and is a great practical weapon for players of all levels. White dictates the opening from the very first move, and often reaches positions where understanding the mes and plans is more important than the latest computer-generated analysis.

Schach gespielt wird nicht nur in Wirklichkeit, es wird auch in erfundenen Geschichten gespielt. Literarische Schachpartien gibt es seit vielen Jahrhunderten. Sie haben deutliche Spuren in der europäischen Literatur hinterlassen. Im Mittelpunkt des Bandes stehen fünf literarische Texte, sogenannte Schach-Poeme, die von Schachpartien handeln. Sie werden hier erstmals ausführlich vorgestellt und in ihrem Zusammenhang von einem professionellen Literaturwissenschaftler erklärt. Das Besondere an der Darstellung ist Matthias Aumüllers Versuch, wissenschaftlich seriöse Forschungsergebnisse auf eine auch Nicht-Philologen ansprechende, unterhaltsame Art und Weise zu präsentieren.

A Chess Biography of Vsevolod Rauzer

Vsevolod Rauzer, born in Kiev in 1908, was one of the world’s leading chess opening theoreticians and thinkers in the 1930s. As a player, he was an uncompromising attacker, trying to avoid draws as well as to prove that 1.e4 wins by force. According to Mikhail Botvinnik, “His opening research…with linked middlegame plans, gives us every reason to place V. Rauzer among the founders of the Soviet chess school.” Awarded the Master of Sport title in 1929, Rauzer’s best tournament performances included joint eighth place in the 1931 Soviet Championship, sixth in 1933 and eighth in 1937. According to Chessmetrics, he was ranked in the world’s top 30 for several years.

Defanging the London System

Although the London System was first played almost 200 years ago, it lay dormant until the beginning of the 21st century. Then chessplayers rediscovered it, realizing that the London could be played against most responses by Black, obtaining a good game with little preparation.

The Chess Art of Galina Satonina

Galina Satonina (1905–2000) was the leading chess painter of the Soviet era. A multiple-time Kazan and Tatarstan ladies chess champion, she saw life as a game of chess, and her paintings speak the language of Caissa. She painted world champions and other famous players, ranging from early stars Philidor, Morphy and Anderssen, all the way through to Fischer, Karpov and Kasparov. Several of her paintings depict the chess pieces themselves and emotions felt during play, as well as different aspects of the game such as time-trouble and checkmate.

Lessons, motivation and coaching to make you a better chess player. In an ideal world, any aspiring chess player, at almost any level, would get better with a coach. If that’s not possible, having chess champion coach Thomas Engqvist’s book at your side is the next best thing.

In his series of lessons, Engqvist guides you through not only the most important elements of chess to master but also the psychology, how to marry knowledge with imagination, and how to stay motivated.

Learn to identify and execute better plans

In the phase of the game, the endgame, strange things happen. Material advantages don’t bring home the expected fruits, wins vanish, draws slip away, and frustrations build. Why is it that when things are supposed to be simpler, they become slippery and nearly impossible to handle with any kind of accuracy? And why do players such as Rubinstein, Capablanca, Andersson, Karpov, and Carlsen seem able to drum up resources out of nothing, make the lives of their opponents miserable, and win things that looked drawn and draw things that looked lost?