First, it is necessary to understand the nature of your student’s chess talent, and second, it is important to identify the player’s character and personality traits. His style ought to be harmonious, so that the essence of the human being matches the characteristics of his chess talent. Since it is the same emotionless computer that is now in charge of the purely chess component, it falls upon the coach to deal with the chess player’s personality, mysterious and unknowable as it might be.
Yes, a lot depends on the number and power of dependable cyber assistants, on the size and quality of various chess databases, on the enthusiasm of the seconds and on the ability to work with modern electronic gadgets, but at the highest level, almost all elite chess players have the same tools at their disposal. Th us, as always, everything is decided — as in the ‘good old days’ — by the player's talent, by his unique ability to create. The coach's task is to help his student develop this unique creative side to the maximum. It has so happened that in recent years I have been able to work closely with great chess talents who were at the same time outstanding personalities. I hope that an inside look at this kind of work will be of interest to both specialists and chess fans. I faced several ethical problems when working on this book.
351 Seiten, englisch, kartoniert, 1. Auflage 2019